The entire spectrum of tone is drier than kiln wood yet more sustaining. To torment and harm anyone who refuses to believe in him. Dylan McKnight is a tall man. Neither of us wanted to inhibit the others chance to work so we had to find a solution. We (Bob Worley and Dave Cunningham) adjusted the truss rod tension on my Stelling and put a slightly shorter DC bridge on it. Follow & watch Tim and Foxes and Fossils ontheir YouTube channel, Past/current religious/spiritual influences: Bart's website is also a great resource for banjo information in general; worth checking out even if you're not in the market for a bridge. Unbelievably, I think it has more volume than the ESPII, but that's the way Iike it. It allows great tone and clarity to come through, but most of all, I appreciate the roomy feel of the additional spacing. I corresponded with Bart ahead of time, gave him the full specs of the banjo and went with his recommendation. Recommended! (more overtones?) It literally is like playing a brand new (and much more expensive) instrument for the price of 12-15 bucks. Service: Throughout it all, Bart was in constant communication, notifying me when he received my order, asking questions and following up to make sure the bridge arrived and met my expectations. | 11/20/2022 9:03 PM. Mike's customer service is outstanding. I ordered mine for an RB-12 which is 12" radiused fretboard. The wood used is quite beautiful looking and the use of different woods for the body and cap provide a nice contrast. Good clean lows and highs, no muddiness. My wife, sitting in the dining room on the other end of the house, thought I had moved into the livingroom, closer to her, because the banjo was louder and "punchier," as I had noticed on the Fender. I had no idea there were SO many options out there. Now I've been playing a Snuffy Smith 3/4" with a compensated 3rd string slot for a few years now. After trying several top name bridges I always went back to my favorite bridge. The last Foxes and Fossils show we did in 2012 features a couple of references to Maggie leaving. It is very attractive bridge, somewhat evocative of the Art Nouveauperiod, with graceful sweeping arches and a slightly wider stance than other bridges. I tried a 5/8" with Crowe spacingfor the first time--felt fine, sounds great. Now I have to live up to their potential. OK, it's a cheap banjo, and what can you expect. If you are looking for an archtop bridge, consider the Veerman "Archie". This bridge made my Morgan just bark! Steve's $30 price tag is high when you're comparing a Davis bridge to some of the other handmade bridges available from other Hangout members. Probably my favorite bridge for Bluegrass music. And just like the first one, I couldn't be happier. They all seem to like that. Highly recommended. Fourth sting is clean, crispand deep voiced, and theoverall sound has to be experienced! He was very helpful and his emails were prompt, polite, and informative. I read some rave reviews on BHO of David Cunningham's bridges in late 2013 and ordered two bridges for my new Bales in January 2014. ordered 3 x from Donyears apart. He was portrayed by Tim Purcell. Steve made the bridge in a .656 with Crowe spacing. Most compensated bridges are too heavy and thick by nature of their offsets. I was right. '. Recently bought a Spillway bridge from Don New. Not too dark, not too right. Anyway, for 75 bucks for the 3 bridges (shipping was dirt cheap) I'd say I got way more than a bargoon. Best $18.00 I ever spent! This bridge has worked wonders for me,and my Banjo! You get the feeling that he doesn't sell these, but rather, he gives them up for adoption to good homes! But this one was like a design-build process of which I was a part.Update 30 days after purchase: Bart contacted me about a week after the bridge arrived to see that it met my expectations, I bought another different one just to have in the arsenal. Some of you may or may not like this, but I think the sustain is nice with this bridge. Highly recommend Bart's work. Maggie left the next day for Nashville. I'm sure he could send it unslotted if the buyer preferred. I had reviewed it on 11/13/08, first trying it on the Whitestar. Really seemed to open up and balance my banjo. Better tone and less harmonics AND in tune. One thing that pleases me a great deal about this bridge is that it does not take away anything from my banjo: some bridges give you something really good, but take away from something else equally as fine to give you that "boost." I bought one of Danny's Beech bridges on Ebay. His comment was to try it first to make sure I was satisfied. Both sound great, but I would go with the lightweight for both if I had to pick again. Where Purchased: : direct from Bart Veerman, What I ordered: Basic two-footed bridge, 5/8-inch tall, mystery wood, no top, 46-millimeter clawhammer string spacing. Sorry, your blog cannot share posts by email. The poem tells Amelia that the more she resist it, the more it will haunt her. That helped give me the resistance I needed to get the volume up some, but I lost some of the sweet tone and the highs weren't as apparent. Very prompt delivery. I tried many of the other maple (and a persimmon) bridges I have collected over the years but they were also too trebly for me and also lacked the full sound I was getting with the Snuffy Smith and McPeake bridges. (May 2017). O.K. I think they sound better than any out of a whole pile of other name brand bridges which I've collected and you can't beat the moderate price of them. The bridge drastically altered the sound of the banjo to the point that my non-musician wife commented that it sounded different and better without prompting. The 11/16 went on my 03 golden era and instantly opened it up, and improved the tone all over the neck. Every G note on every string and every fret rings true as well as all the other notes. I wanted to try an alternative with ebony top, and Bart sent it to me right away. Not sure but I think the legacy was about 3/4 and seemed like it was up around the ceiling. But a weird thing happened: I recently tried Black Diamond strings and had to go back to a straight bridge on both my banjos. For 25 bucks you can't go wrong! Thanks Mike; if I could give the bridge 15/10 I would, but 10 will have to suffice. Comparison: Bridge prices vary widely, from $3.50 mass produced no-name products to $60 boutique handmade bridges. How does Tim do it ? So I sent him payment for that bridge and returned the one that I was not going to use. The OMEhas always had plenty of volume, but the difference in the quality of tone and mostly the clarity of each note was nothing short of amazing. The reason for choosing the Fielding in the first place was it's design. It won't disappoint you. I purchased a 1/2" Bart Veerman (http://banjobridge.com) bridge with a 20" radius for a cheap Davison Banjo-Guitar(banjo body/guitar neck) I received for Christmas. He is truly interested in providing a quality product that is right for your playing and your banjo. I didn't have any solid complaints about the bridge I had already, just vague dissatisfaction of how the banjo sounded in a big room or outside. It also significantly improved my overall tone. That season (2009) I think we had two jobs. So I got one from David and found I could get the sound I loved with the light gauge strings I was used to. I recommend Tim's bridges. I bought a 11/16 Crowe. love this bridge, made my rk-35 sound a lot cleanerand the customer service was top notch. I have had 6 bridges total from David and all have been excellent. When I was looking for a banjo bridge I had a very specific set of requirements in mind. While all 3 performed rather well, Steve's beech bridge scored the highest in crispness, clarity, and brightness. The fourth string became fatter with a mighty growl. I own a Recording King OT Madison with a scoop that I like very much but felt could be tickled to have a little better tone. view. Tyler was professional and very easy to do business with, and the bridge arrived a few days after I placed the order. I bought an 11/16 standard spacing Roasted Red Maple bridge. I trusted him on it, and Im glad I did. It's built like a brick outhouse; I can't imagine that it would ever need replacing. The new smile bridge increased my volume, which I really didn't need. My newest banjo is a style 4 copy with a Hatfield customneck, Cox rim and hardware, Tenn. 20 ring, Steve Gill resonatorall mahogany. I put together a maple neck and resonator Mastertone style with a Yates rim and Yates no-hole tone ring. Where Purchased: Janet Davis Music Center. I was always impressed by her accurate pitch and remarkably pure tone. I cant say that I am getting the sound that I hoped to get from the banjo, largely because I cant quite put my finger on what sound I thought possible or most desirable, and that might be a function of both the limits of my instrument and operator error. What I can say is that the bridge is a great piece of work, tightly cut, symmetrical, nicely sanded, notched precisely. I assume these are the Wadsworth design the Steve purchased a while back. Just trying to spread the word here.these bridges and Bart are special. I had a snuffy smith on before so it was no slouch, but now it is just amazing. This effort was driven bytheOfficial Visit to Australia by the Finnish President and at the time I held the positions of President of the Finland Australia Chamber of Commerce and as a Board Member of the Australian European Business Council. It is hard to describe sound. I have to say it is one awesome bridge. If you're looking for the best, try one of Tim's bridges. Strangely, the Fender factory is a close second, the difference being more in pronunciation way up the neck than in volume. Yes, I am a little bit excited about this bridge! I think you have to go the whole nine yards and get a bridge from Bart. I owe a huge debt of gratitude to Jim and Tim's music for hours of restorative listening so sorely needed in this time of fear and bleakness and loss. So my 3 sounded bright. I saw Bart Veerman's bridgeson JDMC website, then checked the reviews here on the BHO. Great product if you are looking to brighten up your tone. This banjo has nylgut strings a skin head and is real "Thunky" in tone. few weeks ago when I was taking apart one of my, to photograph for my Banjo Construction Photo Archive, I noticed that the bridge was pretty wallowed out. Very open, smooth, good sustain. I sold Randall a tone ring a while back,and when he sent the check he also sent a 5/8 in.bridge. I have now tried this bridge on my two Stellings, and it's stellar. However, i've been really happy with the setup on my banjos and the bridges on them for the last couple years ( also made by Tim, see my other reviews), I didn't give it further thought for a while. Looking for anything to do on such a dreary day, I jumped up, went downstairs to the studio and laid down a rhythm track and lead vocal. The action is now perfect, the slots were a perfect match for the Nylguts. I was very happy with my Greg Deering bridge and didn't think it could get better. I told Jerry what I wanted and gave him my measurement particulars ( I like a TALL bridge and the Stealth has odd string placement so it was a custom job for sure).When I got the bridge I put it on and right out of the box the tone and volume and power of my Stealth was increased. The growl is there. Everything else was good, even with the new height. He is a true craftsman. Giving to charity is a meaningful way to honor someone who has died. Service Technician at A&R Mechanical Contractors . This is a great bridge for lower head tensions. I believe in the spirit of this family, this group as a force for good in a time when it is so sorely needed. I have purchased 3 different ones to experiment with and all of these sound terrific. After I installed the new strings I found that it helped but it sounded to me that my banjo sounded a little bassy. Bart was great to work with and he pointed me to the bridge type used by other celtic-style players. Steve's new beech bridge is an absolute winner. The raised 5th string feels very natural to my LARGE hands. I then put the bridge on the RK-75, which is the closest thing I have to a flathead Mastertone right now. I currently have the walnut/ebony on my TB2 conversion, gives a richer fuller tone with good note separation and I have tried a lot of bridges. "Gary.you have got to be the greatest bridge maker that's ever walked the earth! Also my Presto tailpiece is not cranked down and I use 10-21 gauge strings. The banjo came alive. The change in character was a big surprise. Where Purchased: http://www.dcbanjoworks.com/index.html. UPDATE: As of July 31st I am still using this bridge and love it! Rachels forays into musical theater, piano and singing had a big influence on Sammie. A very balanced and "open" sounding bridge. Bart suggested a two-footed mystery wood bridge.boy was he right!! I was a little apprehensive about trying a different bridge on myStellingCrusader because I was very happy with my roasted one. The overtones were cleaner, the sound was fuller and "rounder" and the high end tone was strong and clear. I just can't praise this bridge enough, and at a great price, what is not to like. At 2.0 oz., this is now my main bridge. I rate his bridges a "9" just because I think the price is a tad highI'd like to see them sold for $28. It gives a good clean sound. I would have been very pleased with either, and my comments are merely based on a comparison between these two outstanding bridges. The result with regards too response, sustain and clarity and volume is as expected"phenomenal!" The Babadook's presence pushes Amelia to the brink of insanity. The Grover was very plunky but pretty boring. Whats even more interesting is George Keywood is an expert on making millions from the internet. He brands them, and labels them height, weight, spacing on the bottom of the bridge feet for convenience. Also, I am very surprised at the presence of the 4th string from such a thin bridge! Once properly positioned the harmonic and fretted 12th on all of the strings matched pretty close; verified by both my ear and my tuner. Amelia gathers up worms from the garden and enters the basement, where the Babadook appears. I ordered them in the evening and got an email later that night that they would be going out within a day or two. I think the other bridges may be better but haven't tried any of the other ones. I was having problems with the tuning of my fourth string. The bridge delivers plenty of tone and volume throughout the entire range of the instrument. Well made, good looking, traditional styled bridge with theweight, height, and spacing written on the bottom of the feet. The Snuffy Smith may have been a bit louder, but the tone was noticeably improved with the Katzeye. Furthermore, precision is a hallmark of David's product. I am using this bridge for CH, and was looking to hasten the note decay on a banjo that despite having a wooden tone ring just wouldn't stop. I like the bird's eye maple and will order it again if I go for a 3rd bridgebut I will probably add the ebony top. The key is to leave it on the banjo for 48 hoursevery single one I have tried, while slightly different in tone, opens up wonderfully. I set up my studio for rehearsal., giving both girls a mic and a set of headphones. Dave was a complete joy to work with and his customer service is second to none. Grief researchers say holding that missing funeral service, even a year or more later, can still help us heal. You can specify number of legs, height, wood, finish, string spacing, compensation and more. It gives the banjo a little "drier", clearer tone with volume to spare. Great bridge. He received a B.S. I have owned 4-5 original Snuffy Smith Bridges over the years and there is no difference in sound. Bart is a craftsman. Ive had one of Barts Archie bridges on my mid-sixties flathead bowtie for a few months now, and I have been loving it. I highly recommend Renan Banjos and Tyler Burke. My camping banjo is a Rover RB-25 which has a great neck and is indestructible. Increased ambient resonance. I would not change this bridge in any way. Official Sites, View agent, publicist, legal and company contact details on IMDbPro. Very nice. Why would anyone want a pre made bridge instead? Where Purchased: Virgil Lawson BHO member. Love it.10 $ fast ship and blows some $45 bridges away. It's compensated. Its the only Hatfield bridge I've ever owned. I needed to get a new bridge for my cherry Brooks banjo. I am pretty sure that part of his success in this design is that he creates a very slight radius on the feet to match the sag of the banjo head. I have had a Bart Bridge on there since I got it but I recently purchased and custom compensated bridge. Altogether a great banjo day in Maine for BobBut back to the bridge. I bought 1928 TB3 conversion back in April, 2010 and it had a Frank Neat bridge on it. I couldn't put the banjo down the rest of the night. I'm not sure if it was all the peg head or the shape of the Kat Eyz bridge that did it. The highs were more or less unchanged from my previous bridge but the mids and lows took on a really rich timbre, with a 4th string that will make my liver quiver when I hit it right. When I first put it on, I think I noticed a bit of loss on the bottom end, low on the 4th string. I dont know what Barts method is of matching a bridge to a banjo, but he does a masterful job. Where Purchased: from Greg at Buckeye Banjos. Your base option offers choice of height, wood and string spacing. The new Sullivan Roasted Factory Floor bridge gives my banjo a sound that is fun to hear and enjoy, let alone wanting to play more! Where Purchased: Ordered Directly from Bart Veerman. Four are 5/8 inches in height, two with Crowe spacing and two with standard spacing. It's like a whole new banjo. I now play a Cedar Mountain with a 12 inch pot. I tried it on my Deering Maple Blossom and my Goldtone CCR 100. Tim couldn't have been better to deal with. If you are struggling with the "flabby" G string on your Irish Banjo you'll find a Bart custom bridge will be "exactly" what you need to get that problem licked. I use the standard spacing and have messed with 11/16 and other heighths, but tone quality and transmission remain great. The curves are sinuous looking and the finish is very smooth with just a very light oil to protect and bring out the grain. The volume was only slightly improved. I recently ordered a Bart bridge for a humble GoldTone Cripple Creek Irish Tenor banjo. Thanks Steve. It gives good note separation and note decay. It arrived a few days later so I put it on, tweaked the head a bit and left it overnight to settle. I told mike that it would be nice to have the banjo sound a little bigger, fatter, rounder (although I know since the banjo is maple, it will be a bit more bright, perhaps harsh than mahogany.) He is SO KNOWLEDGEABLE about banjos as he's been making banjos and bridges and such for over 20 years. My current banjo would not benefit from a Grover at all. The bridge was packed in a bubble wrap envelope including a small insert with some basic bridge info, installation instructions, and specs. Just received a new Zebra wood/Lignum Vitae bridge from David,I spoke with him and he recommended this setup for my Woody.having purchased from him before I knew what fine work he does but I have to say thisWOW! Highly recommended! Found I preferred this one over some of the much higher priced bridges I have. I've had it for over a month and the banjo still has that growl so I'm sure it was the different bridge that caused it. It's hard for me to believe I forgot to say something about ituntil now. He displayed his versatile talent not only in the rock and blues field but also as the lead singer and frontman for the critically acclaimed country act The Riley Hawkins Band. Years in Business: 28. Business Started: 1/1/1995. Its soo much clearer sounding, great tone, and the added volume is very nice. It does a very good job at transmitting string vibration to the banjo head. As others reviewers have said, Tim's a great craftsman and stands behinds his product. Banjo sounds great! It just didnt seem right. Detective Purcell graduated from the 112th. One 11/16, and one .656. I am very happy with the hole experience. Post or read reviews for Samantha Purcell Google them, eBay them, HO them, whatever your search preferencebut grab them up when you can. As I remember it was about $35, and worth every penny. (the Old Barn one is nice too for a woody sound). All of my daughters are talented but I guess Sammie was lucky to be the last one at home. Shipping was a flat,affordable rate. This bridge improved the tone of this RB-250 by increasing its warmth and response by a lot. If you are setting up your banjo and are test driving different bridges, you might want to try the 2-footed bridges that Arnold Clayton is building. The buying experince with Don is great, if I get another banjo in the future I will definetly be getting another Dam Spillway (maybe the 3 pack) just to see what the others will do. I used to slant my bridge, and that would choke off the sustain a little bit. It's all too easy to say this is a great bridge for the money when it's just a great bridge, period. In case you don't know Flint is the only city tougher than Detroit, and that's sayinga lot. After looking at a few, I was quite smitten with Bart'streatise on tone, intonation, materials etc. I have some bridges here from some of the best and liked this sound better than the others. Wow, well I've been playing around with the bridges so far and I can say he definitely recommended the right woods. I just have to say what an incredible difference an insignificant little piece of wood makes!! It is purrrrrrfect And just mellowed the tone/brightness a little. It's a wonderful bridge! The banjo has no more intonation issues up-neck. They are all high end bridges - in the $35-$40 range I believe. Clean, clear and strong. Holiday parties and New Years Eve were steady sources of big money. This bridge (5/8th, 2.2 grams) sounds and looks great. I recently had a banjo made and the bridge was just a bit higher than I am accustomed to. Excellent bridges. If everyone changes to Snuffy Smith after they buy Gibson (from what I've read on BHO), why isn't it standard issue?? David marked each bridge with height, material, and weight (2.928 for the American Cherry, and 3.768 for the Brazilian). Where Purchased: Directly from Randall Wyatt through Randy Odell. I chose the new Select Maple bridge with 5/8 height and Crowe spacing from Tim Purcell. After having it on a few days and running it through it's courses, let me offer the following:CRAFTSMANSHIP: neat looking and well made bridge. Whenever Amelia tries to ignore or get rid of it, the Babadook comes back even scarier than before. Brighter, crisper tone towards the bridge and mellow but resonant tones towards the neck. While the Babadook cannot be banished, Amelia and Samuel manage to live their lives. I have been playing Scruggs style bluegrass banjo enough to own my own 5-string banjo for a little over 10 years. The workmanship is spot on and I can tell there has been trouble taken to get the cut of the timber just right. Bart wanted to see what his bridge would do on a good woody banjo and I wanted to see what difference they would make. Man was I floored! It makes a complete connection between all the strings and the head of the banjo. Thanks again, Bart. I tried the Sampson and was impressed with how it opened up the sound, the resonance and sustain sound is more in tune with the notes played and compliment the song. I have experimented with many bridges over the past few years and these produce superior tone. Where Purchased: Directly from Silvio Ferretti. On the BHO and two with Crowe spacing from Tim Purcell JDMC website, then checked reviews. It to me that my tim purcell height sounded a little bit excited about this on! Neck and is real `` Thunky '' in tone Deering bridge and mellow but tones. One from David and found I could n't be happier feels very natural to my favorite bridge and worth penny. Business: 28. Business Started: 1/1/1995 I sent him payment for that and. 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